#sayhelloottawa Street Portraits Book Published!!

The #sayhelloottawa Street Portraits portfolio is now published on the Apple Book store!!!  

The portfolio includes a rationale for the project, development photos, video and text along with other content. The book is a free download of course, click here to get it.

Thanks to all who took the time to stop and be photographed I loved the few fleeting minutes we spent together when photographing these Street Portraits, connecting through photography at 1/200 of a second.  I hope you will enjoy the book and get inspired to say hello to someone you don’t know. 

More Street Portraits are coming soon, I can not wait to get back on the street after putting this together!!

 

Aidan Street Portraits - #sayhelloottawa

Aidan

Walking by @aidan.jones and his friends talking on the corner and something about him caught my eye. Not sure if it was his awesome jacket or his board but after he was done talking I asked if I could take his portrait. 

This image was shot on the side of the Medical Arts building at 180 Metcalfe St., built in 1928 the architect W.E. Noffke also designed the Champagne Bath and the Central Post Office buildings here in town. Love the Art Deco look of the building, Ottawa architecture like its citizens are always full of surprises!!

I love the few fleeting minutes spent together when photographing these Street Portraits, connecting through photography at 1/200 of a second. I hope you will enjoy these images too and get inspired to say hello to someone you don’t know.

Wheat Paste

Street Art is one of my favourite things to look at, I love using it as backgrounds for my images and I really enjoy studying it. However, I have never considered doing Street Art myself, until now. After researching art for my MA I like the idea of showing in a gallery and the process interests me but I like the fringe adventurous side to Street Art. So I am going to be documenting my process starting with creating your own wheat paste.

how to

So this is just glue but it is made out of some very basic household items. If you cook it is like making a roux. The flour thickens to make the base and the sugar adds more stickiness, the salt is added as a stabilizer and is recommended for working with in colder climates.


Fig 1. Flour, Salt, and Sugar for Wheat Paste

Fig 2. Finished Wheat Paste

The Wheat Paste Mix:

  1. Bring 3 cups of water to a boil.

  2. Meanwhile add 1/4 cup of flour to 3/4 cup water, mix well.

  3. Add the flour and water to the boiling water and stir well for 3 minutes.

  4. Remove from heat and immediately add 1/2 cup sugar, stir well.

  5. Add 1 Tbsp of Salt, stir well.

  6. Let cool and your are ready to go.

This will give you about a quart (32oz), this gave me enough to put up a 72” by 72” poster with a little left over. The image was printed on bond paper on four separate panels to get the size I wanted. I am going back to the image to see how it is holding up.

When applying the glue work quick as it dries quick, then apply a layer of glue to the top of the poster to help seal and protect it. This stuff is very sticky quite amazing for flour, sugar, water and salt.

Here is a video of my first attempt.

Fascinated by Street Art I decided to try it myself. I like the idea of using images of people from my Street Portrait series perhaps, reposting them back into the neighborhoods​ I am photographing in. Regardless here is my first attempt of putting a piece up and with some homemade wheat paste. ​

Reflection

Why you work in the way that you do? 

These last two modules for my MA, Research and Practice and Practice 1: Art and Design, has really given me the courage to explore my own personal work and change the way I work.  For although I teach for a living and have photographed professionally something has always stopped me from pursuing personal work.  Reflecting on why I think it steams from my personality, as a child I was an observer, great listener, introvert, a shy child, reserved in large groups of kids, fearful of public speaking.  At least this is how my teachers would describe me to my parents and it was always a concern to them, I saw it on their faces, my introversion was a problem.  My mother was outgoing and gregarious my father, I believed, was naturally so too and their extroversion was for them a healthy trait.  As a kid I had always longed to connect with others, I have always enjoyed listening to people’s stories and people watching.  In high school I found a way to become an extrovert, to engage with others which I was desperate to do, I drank and became outgoing and could “be myself”, the life of the party.  Drinking silenced that little voice in my head that kept me from speaking up and talking easily with others.  Although it was fun to drink and be outgoing it was a crutch, and it was something I noticed that my father suffered from too.  Seeing your parents reflected in yourself can be a great comfort or a great motivator for change, this is something I did not want to be my crutch for the rest of my life.  

Growing up I was interested in photography but it was not until I saw a silver gelatin print develop in a darkroom that I really became hooked, the process was magical.  So I threw myself into photography and it became a healthy obsession.  Then photography became my business, photographing for weddings, portraits and commercial clients and it eventually led me to teaching.  Photographing for clients was easy for me as I was commissioned and although the work was creative, I did not fully put myself out there and I always admired the artistic work of photographers like Diane Arbus who engaged with her subjects and produced the most amazing portrait work of strangers.  Researching Arbus I came across these two quotes that really resonated with me:

“Photography was a licence to go whenever I wanted and to do what I wanted to do.” Diane Arbus (Scala, 2014:p.10) 

From this quotes I think would think that Arbus might have been an introvert who used photography to help her connect with others.  I do know about her death by suicide so perhaps for her photography was not enough of a connection to others, why she killed herself we will of course never know for certain.

Has photography become a crutch for me?  No, as I now understand what a crutch really is, it is an aid something to help you cope with pain on the road to becoming a better person, it is not something you rely on for the rest of your life.  Photograph for me now has become an artistic outlet, something that enables me to connect with others and express myself.  For my last Research and Practice post I am including  an image inspired by Diane Arbus.

Steve

Fig. 1. Steve: Street Portrait 001 (Source: Machinski, 2018)

I have passed by Steve several times dropping off film for processing. One day camera in hand I got up the courage to ask him if I could take his portrait. He instantly said yes and we connected immediately over photography.  We talked about Kodachrome slides he used to shoot, our love for film and old cameras, sharing the photographs with friends via projectors and slideshows.

How do you develop solutions to creative problems?

For me I develop solutions to creative problems by trying out different techniques and processes until I come upon a solution that works.  I really like iterating ideas to come up with a solution, I also find that I work best when I have time to reflect and not think about the problem.  Letting an unfinished problem float around in my mind makes me go back to it often and it allows me to be open to possibilities that I might not have otherwise thought of. 

How does your work relate to other, current activity in your field?

At this stage of my professional career I am really open to looking at and experimenting with any process, style or genre.  I have realized through-out these last two modules that I am moving toward a more film based practice something, akin to the work of August Sanders or Judith Joy Ross.  I like the older techniques and film in general as they slow you down and give you time to reflect. 

Citations 

Machinski, J. (2018) Steve: Street Portrait 001. June 2018. Unpublished.

Scala, A. A. (2014) About Photography. Lulu.com